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Friday, 26 July 2024

Crazy Cutting Corners

I'm back! 

I haven't been away, but I've been super busy with work, cricket admin and quilt guild admin.  I've hardly had any time for sewing lately, but I decided to fix that this week and I finally made time to pick up my rotary cutter.  


I'd been thinking about using some of my Kaffe Fassett stripes so I browsed through some of my older Kaffe books and came upon this pattern from Kaffe Quilts Again (2012):


I only had the Marquee fabric in the lighter shades so mine looked like this:

random


some diamonds forming


Diamonds!



and even more diamonds


I'm going to add a pieced border, but I don't have much of the Marquee stripe left so I'll have to use something else.  I'll be sure to post another photo when I've got the top together.  

 





Friday, 5 July 2024

Kokomo (Stars Upon Stars) Fabric Selection

Thank you for all the lovely comments on my Kokomo quilt.  As promised I'm going to explain more about how I made it - both for anyone thinking about making one themselves, and for my personal record, because after all, that's what blogs are for.

A. Fabric selection

I loved Tula Pink's Zuma range as soon as I saw it and I knew I wanted to use it for something special so I decided to use it for my version of Stars Upon Stars - Kokomo.  As soon as the block started coming together I knew I had made the right decision for me.





Most people who make Stars Upon Stars quilts use traditional colourways.  The pattern is inspired by an antique quilt from the collection at the Grand Rapids Public Museum in USA so it's not surprising many people recreate that look with traditional fabrics.

But traditional colours have never appealed to me, and I could picture Stars Upon Stars in modern colours.  So I decided to go with blues and greens with accents of pink, orange and yellow.  



When I work on long term quilts like this I select a range of fabrics that match my vision for the quilt and move them into a different storage container. Then I just pull from that curated range as I select the fabrics for each block.  I find that this method stops me straying too far from my original vision. 


When I'm working from a limited range of fabrics I become very aware of the subtle colour differences between the fabrics.  My greens merged into teals and then into blues.  But that's fine because I love them all.  

If I needed more of a particular colour I would take some of my fabrics to the shop with me to ensure I didn't drift too far away from my colour scheme. 


In the end it's all worked out well and there's not a single block that I would change.